Digipack - CD von Indigo

 

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Format:	CD
Country:	Germany
Released:	19 Jan 2004
Genre:	Electronic
Style:	Electro
Credits:	Producer - Trost Written By - Trost

 

 

 

Tracklisting:

1		The Sound Of Your Eyes (2:06)
		Vocals [Whistling] - Katharina Abt
2		Tattoo My Name On Your Ass (1:58)
		Backing Vocals - Jasmin Tabatabai   Bass, Backing Vocals - Sibylle Semmler   Producer - Patric Catani
3		Can Of Nowhere (1:38)
4		Bleeding Knee (3:10)
		Drums - Thomas Wydler
5		Douchebag (2:42)
6		Raving Cigar (1:56)
		Producer - Jasmin Tabatabai
7		I See Cathedrals (3:05)
		Guitar - Tico Zamora
8		Born To Porn (2:31)
		Backing Vocals - Jasmin Tabatabai
9		Chunk By Chunk (1:23)
10		The Invasion Of The Gaudy Beige (2:00)
		Producer - Patric Catani   Vocals - Paul PM
11		Christopher (2:15)
12		I Go To Town (2:42)
		Vocals - Paul PM
13		Bulletproofed (1:46)
14		Crying In The Sink (2:12)

 

 

 

 

With disturbing traces of Perry Como tarted up with a go-go twist, The Sound of Your Eyes is a seductive enter into the seedy little world of Kwikest Annika Trost. One half of the wine-soaked (often literally) German shock-schlock outfit Cobra Killer, Trost?s self-titled outing is a burlesque wonderland of barely contained energy squeezed into a bent and erratic corset. The looping brassy drama of Can of Nowhere and defiant insistency of Bleeding Knee are civil enough but soon pummelled away by the rhino charge of Douchebag, a fuzzy, boomy, Atari Teenage Riot of a glitchfest.
I See Cathedrals and its nursery rhyme childishness belies a lurking anti-innocence. The fa?e is shattered next up in Born to Porn with its smaller than bite sized samples and a whipped cream and cherry sass that leaves Machine Gun Fellatio looking like Sunday School teachers. Chunk By Chunk grooves down a gear and pops on the studded dog collar, just in time for the ultra-seedy The Invasion of the Gaudy Beige ? a duet of sorts that evokes images of Gomez and Morticia letting those wilder urges take hold.
The infectious energy of Christopher is almost 30s German cabaret ? the 2030s that is. I Go To Town is an upbeat late starter for standout track, Bulletproofed an over-charged kitchen sink mess and Crying In The Sink a recap of all that has come before.
Trost?s wonderfully weird solo outing is an alarmingly refreshing take on the musical form. With able assistance from Patric Catani and Jasmin Tabatabai, she inhabits a realm not too distant from that of New York City shock-queen Peaches (with whom Cobra Killer briefly toured circa Big Day Out 2002) only with greater panache and discrete musical sense.
Delivering 14 tracks in 30 minutes, Trost is loathe to linger, cracking the 3-mintute mark just once. Nevertheless, and with a due nod to the deftly crafted mix by FM Einheit of Einsturzende Neubauten, it has to be said that trash never smelt so good.